1,478 Royalty-Free Audio Tracks for "Midi Music"

Example of syllabic and melismatic text setting. MIDI doesn't convey the quality of syllables flowing. Source: "Jesus Christ is Ris'n Today" (Methodist Hymn Book, 1933, No. 204). Created by Hyacinth (talk) 01:28, 18 July 2012 (UTC) using Sibelius 5.

Es ist genug, Schlusschoral der Kantate O Ewigkeit, du Donnerwort BWV 60; Melodie: Johann Rudolf Ahle

Dominant seventh in Beethoven's Piano Sonata in B-flat major, Op. 22.

Kanon Danket, danket dem Herrn; Evang. Gesangbuch 336; Gotteslob (1975) 283; Gotteslob (2013) 406

First 4 measures of the first movmemt of Ludwig van Beethoven's Piano Sonata in C-sharp minor "Moonlight", Op. 27, No. 2.

Bohlen-Pierce chord: 0,1,2 (semitones), the most dissonant chord. Currently at 0, 169.75, and 310.88 cents. Title refers to number of semitones (unison=0).

Harmonic seventh chord on C. Equal tempered major chord with quarter tone flat minor seventh (950 cents). Created by Hyacinth (talk) 18:56, 10 November 2011 with Sibelius 5.

13-limit just decatonic scale on C; 1/1, 12/11, 32/27, 9/7, 4/3, 132/91, 3/2, 18/11, 16/9, 176/91, and 2/1; followed by the tonic chord: C, E, G.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C to C between the second and third chords. Note that there is no common chord.

Piano Roll recording of Scott Joplin playing "Maple Leaf Rag" in 1916. Midi conversion by PlayerRoll, and found at: http://www.pianola.co.nz. Re-recorded as audio by Major Bloodnok using Cubase. The original Piano Roll had been scanned and converted to a MIDI file by PlayerRoll, but the work remains in the public domain. This is one of a number of rare recordings by Joplin. It also demonstrates the deterioration of his health, specifically its impact on his piano playing. Original UniRecord, 1916. Maple Leaf Rag published 1899. Українська: Скотт Джоплін грає композицію реґтайму «Maple Leaf Rag» у 1916 році.

Extended dominants/successive secondary dominants in Chopin's Op. 26, no. 1, mm.62-63. V/ii = V/V/V, V/vi = V/V/V/V.

Du mein Schutzgeist, Gottes Engel; Gotteslob (1975) Hildesheim 882; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 906

MIDI synthesized rendering of a 14th-century Rondeau, "Doulz viaire gracieus" by Guillaume de Machaut. Produced with Lilypond, after an edition of the piece in Eggebrecht, Hans Heinrich Musik im Abendland, Munich: Piper, p. 237

Midi recorded at the keyboard and processed through music maker's virtual drum synth. One of ten electronic drum loops with a tribal beat and human sound.

Example of a tonal answer in J.S. Bach's Fugue no. 16 in G minor, BWV 861, from the Well-Tempered Clavier, Book 1 Comienzo de ejemplo de una respuesta tonal en una exposición fugada. este fichero Midi corresponde a la exposición de la Fuga número 16 en Sol menor (BWV 861) extraído del libro 1 de la obra El clave bien temperado de Juan Sebastián Bach

This sound consists of sine waves only playing the musical note c, each for a total of 10 seconds. Rendered as a 200/32 wav file (linear pcm, 32 bit little-endian floating point, 200000 hz) in audacity.

Pange, lingua, gloriosi corporis mysterium (Gotteslob (1975) 543/544; Gotteslob (2013) 493/494)

Bach - Well-Tempered Clavier, Book I, Prelude I (C major, BWV 846), opening bars.

The most basic ride pattern in rock and other styles. References: Schroedl, Scott (2001). Play Drums Today!, p.9. Hal Leonard. ISBN 0634021850 Eighth-note ride pattern played with triplet swing.

Dominant seventh chord on G: G B D F. In root position, 1st inversion, 2nd inversion, and third inversion, then at the octave in root position.

Quartal chord on A equals thirteenth chord on B♭, distinguished by the arrangement of chord factors. Created by Hyacinth (talk) 13:55, 13 October 2010 using Sibelius 5.

Example of figured bass in context. Implied pitches written in small, stemless type above bass voice. Taken from Beschränkt, ihr Weisen, by J.S. Bach. (Riemenschneider no. 47/69.) Final chord added.

Composer: César Cui (1835-1918) Title: Gloria Patri and Wedding Recessional from the opera "The Saracen" Printed source: Piano-vocal score published in Moscow by P. Jurgenson, 1899. This is a rudimentary MIDI arrangement and Ogg recording therefrom made by Mllefifi, Nov. 29, 2005 The music itself is in the public domain. Mllefifi is making this audio file available to promote the composer and for whatever other use can be made of it, besides linking it to the article "The Saracen (opera)".

BACH motif followed by transposed version from Schumann's Sechs Fugen über den Namen B-A-C-H, Op. 60, No. 4, mm. 1-3.

Loop from our last session (https://soundcloud. Com/tonux-gix/journey-to-dusk-yemptiness-2). Midi/osc lines generated with pure-data and then rendered it in muse-sequencer using deicsonze and zynaddsubfx synths.

Regular diatonic tuning 72-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS. In 12-tone, T=200 cents and S=100 cents. In 72-tone, T=233.3 cents and S=16.6. This is that scale: C = 0 D = 233.3 E# = 466.6 F# = 483.3 G = 716.6 A = 950 B# = 1183.3 C = 1200

The melody of the folk song The Girl I Left Behind Me. Die Melodie des Volksliedes The Girl I Left Behind Me. La mélodie de la chanson populaire The Girl I Left Behind Me.

Bei stiller Nacht, zur ersten Wacht; Gotteslob (1975) Hildesheim 824; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 763

Bach, Sinfonia in F minor BWV 795, mm. 1-3. Created by Hyacinth (talk) 22:19, 17 April 2010 using Sibelius 5. See: :Image:Bach,_Sinfonia_in_F_minor_BWV_795,_mm._1-3a.png

Old Swedish folk melody, recently combined with the evening prayer Nu sjunker bullret by Lars Thunberg, in German Der Lärm verebbt by Jürgen Henkys. Der Lärm verebbt (GL (2013) 100)

Modulation to the dominant in Haydn's Symphony in C Major, No. 97, Movement III Menuetto, measures 0-8 (piano reduction). Compiled from Murphy, Melcher, and Warch (1973). Music for Study, p.115. ISBN 0-13-607515-0; August Horn's piano reduction; and Howard Chandler Robbins Landon's full score edition. Roman numeral analysis added.

More 120bpm beats and stuff i made from scratch in live using midi instruments and the non sample based softsynth phoscyon to build up sounds from waves, then run them through compressors, distorters, destroyers, eqs, and textures.

Kiswahili: Njoo kwetu, Roho Mwema Gracious Spirit, heed our pleading Komm zu uns, Heilger Geist, Evang. Gesangbuch Bayern-Thüringen 565

Motherchord (Mutterakkord), pyramidal (symetrical) chord. A G# E C# B F# C♮ F♮ G Bb D Eb = 0 e 7 4 2 9 3 8 t 1 5 6.

Charles Ives, 3-Page Sonata, first mvt., first fugal complex. The BACH motif from The Art of Fugue Contrapunctus XIXc is the "'1st Theme'/fugue subject" of Ives' combined sonata-allegro and fugal procedures.

Diagram of tin whistle fingering for a diatonic scale: I, II, III, IV, V, VI, ♭VII, ♮VII, I'. In D: D, E, F♯, G, A, B, C♮, C♯, and D'.

Eesti: Jumal on valgus ja pääste Du bist, Herr, mein Licht und meine Freiheit, Evang. Gesangbuch (Niedersachsen) 575

Ich bete an die Macht der Liebe, Text Gerhard Terstegen, Melodie Dmitri Bortnjanski (Evang. Gesangbuch Rheinland/ Westfalen/ Lippe 661)

V of V in C, four-part harmony. Bruce Benward and Marilyn Nadine Saker (2003). Music: In Theory and Practice, Vol. I, seventh edition: p.269. ISBN 978-0-07-294262-0.

Listen track with nice and warm sound. Track features piano. Space pad. Plugins omnisphere, kontakt (drums of war2), (factory library). Bpm 100. Ableton 9,12 midi channels. More projects here: https://evaluationrecords. Com/shop.

A gregorian chant melody line with arpeggiated harmony played from digital keyboard into a music maker midi recording. I gave it a whirl with a vst synthesizer voice called men's cathedral, twirled lots of dials and this came out.

J. S. Bach Sarabande of Partita for clavier nº 4 BWV 828 played on keyboard First published: 1728 as in https://imslp.org/wiki/Partita_in_D_major,_BWV_828_(Bach,_Johann_Sebastian) Other works on the same theme: https://www.8notes.com/scores/10177.asp?ftype=midi https://www.dailymotion.com/video/x2oulv3 Recorded by Millennium bug in February 2019

Syncopation (sfz) in Beethoven's String Quartet in A Major, Op. 18, no. 5, III, variation I, m. 7-8. Created by Hyacinth (talk) 19:26, 12 March 2011 (UTC) using Sibelius 5. For comparison: File:Beethoven - String Quartet in A Major, m. 7-8 without syncopation.mid

A single bar from "Fugue No.17 in A flat", BWV 862, displaying contrapuntal polyphony. The piece is part of J. S. Bach's Das wohltemperirte Clavier, Part I. See: File:BachFugueBar.png

Cosmic glow track with nice and warm sound. Track features piano. Warm and sad pad. Plugins sylenth 1, massive, zebra 2. Bpm 70. Ableton 9, 7 midi channels. Project file here: https://evaluationrecords. Com/shop/ regards, andrew.

Britten's twelve-tone 'Screw' theme [4]divides into equivalent tetrachords, each a segment of the circle of fifths: D-A-E-B, F#-C#-G#-D#, Bb-F-C-G. Created by Hyacinth (talk) 03:10, 7 January 2012 (UTC) using Sibelius 5.

Parallel universe track with nice sound. It can be perfectly used in cinematic projects. Track features plucked. Space pad. Plugins omnisphere 2, serum. Bpm 109. Ableton 9. 12 midi channels. Project file here: https://evaluationrecords. Com/shop/ regards, andrew kn.

An'im Zmirot (Shir Hakavod), Jewish traditional melody An'im Zmirot (Shir Hakavod), überlieferte jüdische Melodie; im Gotteslob (2013), Diözesanteil Hamburg-Hildesheim-Osnabrück, mit dem Text "Herr, mache mich zum Werkzeug deines Friedens" (Nr. 868)

Mystic chord on C as the 1, 11, 7, 5, 13, and 9th harmonics (harmonics 8 through 14, without 12). 1 = C = 0 cents = unison 11 = F↑ = 551.32 cents = eleventh harmonic 7 = B♭ = 968.83 cents = harmonic seventh 5 = E = 386.31 cents = just major third 13 = A♭ = 840.53 cents = thirteenth harmonic 9 = D = 203.91 cents = large just whole tone

Drops, track with nice and warm sound. It can be perfectly used in cinematic projects. Warm and sad pad. Plugins sylenth 1, massive, zebra 2. Bpm 70. Ableton 9. 8 midi channels. You will have fun. Project file here: https://evaluationrecords. Com/shop/ regards andrew kn.